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Tom earned a BFA in Musical Theatre from the prestigious
Cincinnati College-Conservatory of Music, and has
performed professionally Off Broadway, in national tours,
and in numerous summer stock and regional theatres
around the country, including Theatre Virginia, Kansas City
Rep, Florida Stage, Capital Rep, Palm Beach Dramaworks
and Riverside Theatre.
Credits include The Musical of Musicals, The Musical at both
The York Theatre and Dodger Stages; Emcee in a national
tour of Cabaret; Cosme McMoon in Souvenir at both Palm
Beach Dramaworks and Riverside Theatre in Vero Beach;
and Ellard in The Foreigner and Herman in The Most Happy
Fella at Music Theatre North in Potsdam, NY.
A three-time recipient of the South Florida Theatre Critics'
Carbonell Award for Best Supporting Actor in a Musical
(Puttin' on the Ritz, Cabaret Verboten and Mister Abbott,
A Broadway Legacy --- all performed at Florida Stage),
Tom was recently a nominee for the Best Actor in a Play
award for his performance in Souvenir.
Cincinnati College-Conservatory of Music, and has
performed professionally Off Broadway, in national tours,
and in numerous summer stock and regional theatres
around the country, including Theatre Virginia, Kansas City
Rep, Florida Stage, Capital Rep, Palm Beach Dramaworks
and Riverside Theatre.
Credits include The Musical of Musicals, The Musical at both
The York Theatre and Dodger Stages; Emcee in a national
tour of Cabaret; Cosme McMoon in Souvenir at both Palm
Beach Dramaworks and Riverside Theatre in Vero Beach;
and Ellard in The Foreigner and Herman in The Most Happy
Fella at Music Theatre North in Potsdam, NY.
A three-time recipient of the South Florida Theatre Critics'
Carbonell Award for Best Supporting Actor in a Musical
(Puttin' on the Ritz, Cabaret Verboten and Mister Abbott,
A Broadway Legacy --- all performed at Florida Stage),
Tom was recently a nominee for the Best Actor in a Play
award for his performance in Souvenir.
| ©2009 Tom Kenaston |
| "Played to perfection, Tom Kenaston's Cosme has the audience spell-bound with his narrative from the first note to the grand finale. Kenaston is a triple threat in this production. He acts, sings and plays the piano with such ease and grace one hardly realizes he has left the piano and has involved himself in the plot, only to slip back onto the bench and emerge himself in another song. One could rarely take your eyes off of him. Vocally, Kenaston's 'Violets for Your Furs' was truly his masterpiece.."
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